Tuesday, September 26, 2006
Upload: Celtic Frost - Monotheist
As I said in my intro post, I'm a college student. I wasn't exactly alive when the original greats of metal were getting started and touring. To top it off, I only started seriously listening to music a little while ago. Thus, I only caught "classic" metal albums on the second or third go-around, and there are many more that I have yet to listen to.
This being said, I had just heard Celtic Frost's Into the Pandemonium (killer album, by the way) when I read that Celtic Frost were reforming and coming out with a new album after 14 years or so. I was happy, but also a little scared. Would this be a masterpiece or a dud? It was impossible to tell up until the last second. Critics were completely divided about the album, either hailing it as a work of genius or denouncing it as the worst they've ever done (well, second-worst...almost nothing can get worse than Cold Lake). The two singles I heard from their site sounded alright, if not inspirational, so I figured I would at least get an enjoyable experience.
What I got was a truly unique album, and a lesson from the forefathers as to how dark, dark music (and metal in general) is really done.
The first two songs, "Progeny" and "Ground", are the two singles, and they're decent, if not exactly inspired. "Progeny" uses maybe 5 notes, and Ground doesn't have many more. This is very simplistic stuff, but damn if it doesn't get the blood flowing! That being said, these songs serve as an effective counter to the incredibleness that is to come. "A Dying God Coming Into Human Flesh" is next, and it's impressive. The song uses simple riffs, but the buildup in the song borders upon apocalyptic. This seems to be a theme in the album: building really complex songs out of complete simplicity. "Drown in Ashes" starts with some industrialish sounds, then a female singer comes in and creeps the hell out of anyone listening. This track has a more industrial, almost goth feel to it. As the album goes on, the music gets more doomy and more reflective, culminating in the triad of "Totengott" (a distorted spoken-word track), "Synagoga Satanae" (an impressive 14:24 sardonic look into the nature of evil), and "Winter"( a classical instrumental string quartet piece). "Winter" is a really calming piece, as if to give one a cooldown or respite from the awesomeness of the whole rest of the album. That's right, this is a full-album deal. To get the full effect, this really has to be listened to at night or during the winter; preferrably both. This is one of those albums where atmosphere means a lot. Listen in the right place and time, and it will mean so much more.
8.3 creepy mo'fo's eating spiders out of 10.
Highly, highly recommended.
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